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“The interview. Renate Naumann. The one you asked for, remember? Christ, here I’m turning cartwheels for the Soviets and you could care less. Typical.”

“She asked to see me?”

“Maybe she thought you’d catch her good side. I wouldn’t wait on this, by the way. The Russians change their minds every five minutes. Besides, you could use the story. The natives are getting restless.” He pulled a telegram from the same pocket and held it up.

“You’ve read it?”

“Had to. Regulations.”

“And?”

“‘Great mail response hero story,’” he quoted without opening it. “‘Send new copy ASAP. Friday latest.’” He tapped Jake’s chest with both papers. “Saved by the bell, hero. You owe me one.”

“Yeah,” Jake said, taking them. “Put it on my bill.”

Liz’s darkroom was a small, musty enclosure near the coal bin, with deep wooden crates in one corner for root vegetables. A table with three trays for solutions under a dangling light fixed with her portable red bulb. A few tins of developer and some prints hanging from a string like laundry. A box of matte paper. Why not let the old couple have it all? It was bound to be worth something in the market. But who took photographs these days? Were there weddings anymore in Berlin?

Liz, at any rate, had taken a lot. The table was littered with contact sheets, the loose pile held down by a heavy magnifying glass, the kind librarians use to read small type. Jake looked through it, and the postage-stamp frames zoomed up to life size. Powerful enough to see if a gleam was coming off boots. He put it in his pocket, then stacked the rest of the equipment at one end of the table. Against the wall there was a side table with another set of prints. He flipped through. The same pictures he’d seen upstairs, but different shots, not quite as sharp-discards, the ones no editor would ever see. The Chancellery. The airport again, Ron still grinning, but the background even less clear. It was when he held it up to the dim light, looking for boots, that his eye caught the dull shine of the gun hanging on the wall.

He put down the print, reached for the holster, and brought it over to the light. A Colt 1911. But everyone had one-standard issue. He took it out, surprised at its weight. The gun she should have been wearing in Potsdam. Three of them in the market. He stared at it for a minute, reluctant even now to let his mind follow the thought through. Had it been fired? They could match the bullet, the carbon firing marks as distinctive as fingerprints. But this was crazy. He opened the gun. An empty chamber. He lifted it to his nose. Only a hint of old grease, but what had he been expecting? Did the smell of firing hang in the chamber like ash, or did it drift away? But no bullets. Not even loaded, a showpiece to keep the wolves away. So much for Frau Hinkel, surrounding him with deception. He dropped the gun onto the prints, then scooped up the pile with both hands and carried it all back upstairs.

The magnifying glass was small, but it did the trick-the background still wasn’t sharp, but at least the blurs took shape. Uniforms passing in front of other uniforms. Definitely boots. He followed the line up-an American uniform, a face that might have been Tully’s, had to be, anchored by the boots. So Liz had caught him after all. But so what? There was nothing he hadn’t known before. Tully had arrived and now stood looking left at something. Jake moved the glass across the picture. But there was only the back of Brian’s head, the same uniforms as before, none of them looking toward Tully, and then the white edge.

He sat back and tossed the picture on the table, frustrated, Ron’s grin a kind of taunt. When his face fell on its double in the pile, he even seemed to move his head in a laugh. One more, Liz would have been saying, moving around for a better angle, Ron the fixed point in a stereoscope. How many had she taken? Jake leaned forward, grabbing up the prints. Enough for a small panorama? He collected the airport shots from the discard pile and laid them out with the others in a fan shape, ignoring Ron, piecing together the overlapping bits of background-Brian’s head on Brian’s head, moving left, matching the exit doors, until the edges were covered and he could look across the crowd with Tully.