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"Prepare our little circle in Paris for the birth of another South American Republic. One more or less, what does it matter? They may come into the world like evil flowers on a hotbed of rotten institutions; but the seed of this one has germinated in your brother's brain, and that will be enough for your devoted assent. I am writing this to you by the light of a single candle, in a sort of inn, near the harbour, kept by an Italian called Viola, a protege of Mrs. Gould. The whole building, which, for all I know, may have been contrived by a Conquistador farmer of the pearl fishery three hundred years ago, is perfectly silent. So is the plain between the town and the harbour; silent, but not so dark as the house, because the pickets of Italian workmen guarding the railway have lighted little fires all along the line. It was not so quiet around here yesterday. We had an awful riot—a sudden outbreak of the populace, which was not suppressed till late today. Its object, no doubt, was loot, and that was defeated, as you may have learned already from the cablegram sent via San Francisco and New York last night, when the cables were still open. You have read already there that the energetic action of the Europeans of the railway has saved the town from destruction, and you may believe that. I wrote out the cable myself. We have no Reuter's agency man here. I have also fired at the mob from the windows of the club, in company with some other young men of position. Our object was to keep the Calle de la Constitucion clear for the exodus of the ladies and children, who have taken refuge on board a couple of cargo ships now in the harbour here. That was yesterday. You should also have learned from the cable that the missing President, Ribiera, who had disappeared after the battle of Sta. Marta, has turned up here in Sulaco by one of those strange coincidences that are almost incredible, riding on a lame mule into the very midst of the street fighting. It appears that he had fled, in company of a muleteer called Bonifacio, across the mountains from the threats of Montero into the arms of an enraged mob.

"The Capataz of Cargadores, that Italian sailor of whom I have written to you before, has saved him from an ignoble death. That man seems to have a particular talent for being on the spot whenever there is something picturesque to be done.

"He was with me at four o'clock in the morning at the offices of the Porvenir, where he had turned up so early in order to warn me of the coming trouble, and also to assure me that he would keep his Cargadores on the side of order. When the full daylight came we were looking together at the crowd on foot and on horseback, demonstrating on the Plaza and shying stones at the windows of the Intendencia. Nostromo (that is the name they call him by here) was pointing out to me his Cargadores interspersed in the mob.

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В романе в хронологической последовательности изложена непростая история жизни, история становления характера и идейно-политического мировоззрения главного героя Станислауса Бюднера, образ которого имеет выразительное автобиографическое звучание.В первом томе, события которого разворачиваются в период с 1909 по 1943 г., автор знакомит читателя с главным героем, сыном безземельного крестьянина Станислаусом Бюднером, которого земляки за его удивительный дар наблюдательности называли чудодеем. Биография Станислауса типична для обычного немца тех лет. В поисках смысла жизни он сменяет много профессий, принимает участие в войне, но социальные и политические лозунги фашистской Германии приводят его к разочарованию в ценностях, которые ему пытается навязать государство. В 1943 г. он дезертирует из фашистской армии и скрывается в одном из греческих монастырей.Во втором томе романа жизни героя прослеживается с 1946 по 1949 г., когда Станислаус старается найти свое место в мире тех социальных, экономических и политических изменений, которые переживала Германия в первые послевоенные годы. Постепенно герой склоняется к ценностям социалистической идеологии, сближается с рабочим классом, параллельно подвергает испытанию свои силы в литературе.В третьем томе, события которого охватывают первую половину 50-х годов, Станислаус обрисован как зрелый писатель, обогащенный непростым опытом жизни и признанный у себя на родине.Приведенный здесь перевод первого тома публиковался по частям в сборниках Е. Вильмонт из серии «Былое и дуры».

Эрвин Штриттматтер , Екатерина Николаевна Вильмонт

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