Читаем Dictator полностью

But I am wandering too far from my subject. The essential point was that Cicero for the first time laid out his political credo in black and white, and I can summarise it in a sentence: that politics is the most noble of all callings (‘there is really no other occupation in which human virtue approaches more closely the august function of the gods’); that there is ‘no nobler motive for entering public life than the resolution not to be ruled by wicked men’; that no individual, or combination of individuals, should be allowed to become too powerful; that politics is a profession, not a pastime for dilettantes (nothing is worse than rule by ‘clever poets’); that a statesman should devote his life to studying ‘the science of politics, in order to acquire in advance all the knowledge that it may be necessary for him to use at some future time’; that authority in a state must always be divided; and that of the three known forms of government – monarchy, aristocracy and people – the best is a mixture of all three, for each one taken on its own can lead to disaster: kings can be capricious, aristocrats self-interested, and ‘an unbridled multitude enjoying unwonted power more terrifying than a conflagration or a raging sea’.

Often today I reread On the Republic, and always I am moved, especially by the passage at the end of book six, when Scipio describes how his grandfather appears to him in a dream and takes him up into the heavens to show him the smallness of the earth in comparison to the grandeur of the Milky Way, where the spirits of dead statesmen dwell as stars. The description was inspired by the vast, clear night skies above the Bay of Naples:

I gazed in every direction and all appeared wonderfully beautiful. There were stars which we never see from earth, and they were all larger than we have ever imagined. The starry spheres were much greater than the earth; indeed the earth itself seemed to me so small that I was scornful of our empire, which covers only a single point, as it were, upon its surface.

‘If only you will look on high,’ the old man tells Scipio, ‘and contemplate this eternal home and resting place, you will no longer bother with the gossip of the common herd or put your trust in human reward for your exploits. Nor will any man’s reputation endure very long, for what men say dies with them and is blotted out with the forgetfulness of posterity.’

Composing such passages was Cicero’s chief comfort in the lonely days of his wilderness years. But the prospect that he might ever again have the chance to put his principles into effect seemed remote indeed.

Three months after Cicero began writing On the Republic, in the summer of Rome’s seven hundredth year, Pompey’s wife Julia gave birth to a baby boy. The moment he was brought the news at his morning levee, Cicero hastened round to see the happy couple bearing a gift, for the son of Pompey and the grandson of Caesar would be a mighty presence in the years to come, and he wanted to be among the first with his congratulations.

It was not long after dawn yet already hot. In the valley beneath Pompey’s house loomed his newly opened theatre, with its temples and gardens and porticoes, its fresh white marble dazzling in the sun. Cicero had attended its dedication ceremony just a few months earlier – a spectacle that had included fights involving five hundred lions, four hundred panthers, eighteen elephants and the first rhinoceros ever seen in Rome. He had found it all revolting, especially the slaughter of the elephants: What pleasure can a cultivated man get out of seeing a weak human being torn to pieces by a powerful animal or a noble creature transfixed by a hunting spear? But naturally he had kept his feelings to himself.