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By far the most probable culprit was Augustus himself. It is true, as Tacitus points out, that he had never before had any of his blood relations executed, but we know that he could act unforgivingly against those of them who threatened him. He killed Caesarion, Julius Caesar’s illegitimate son, without a qualm, and treated the two Julias harshly. The visit to Planasia does suggest that he found the decision to kill his grandson difficult to make.

Augustus’ signet ring was removed from his finger. His eyes were closed. Tiberius, being his closest relative, called him by name and said, “Vale,” “Farewell.” Slaves belonging to undertakers washed and perfumed the corpse. A coin was placed in its mouth, to pay the ferryman to carry Augustus’ spirit across the river Styx to the underworld.

The body was carried to Rome on the shoulders of senators from the neighboring municipalities and colonies of veterans. The August heat was insupportable and the journey was conducted by night. In the daytime the dead man lay in state in the town hall or principal temple of each halting place.

At Rome, Augustus’ will was read out. The preamble ran: “Since fate has cruelly carried off my sons Gaius and Lucius, Tiberius shall inherit two thirds of my property”—a less than ringing endorsement of his chief heir. Tiberius received one hundred million sesterces, and Livia fifty million. Ninety million sesterces was set aside for small individual bequests to the soldiery and the people.

All of this was as might be expected. However, the princeps, so cautious and patient in his lifetime, sprang an astonishing surprise from beyond the grave: he adopted his wife. Just as Tiberius received the name of Augustus, so Livia received that of Augusta. As Augustus’ daughter, she became a member of the Julian clan, and from now on was known as Julia Augusta.

What did Augustus intend by this extraordinary promotion? It was the only important political decision he ever made that was completely without precedent, and he left no explanation for it. However, in the first instance, we may readily conclude that it signaled Livia’s contribution to the governance of the state during his reign. Everyone supposed she had been an important adviser behind the scenes, and the adoption was an official recognition of the fact. Augustus may also have wished to strengthen his wife’s position after his death, so that she could exert some control or at least influence over Tiberius; her political skills could complement his largely military experience. Perhaps, even, he wanted to show the world how deeply he loved his wife.

Now that Livia had become Julia Augusta, she had an official constitutional position in the state for the first time in her life. Although technically without imperium or anything approaching it, she seemed to contemporaries almost to be co-ruler with her son. During the Senate debates about decrees passed in Augustus’ honor, Dio reports that “she took a share in the proceedings, as if she possessed full powers.” It is said that for a time Tiberius’ correspondence carried her name as well as his, and letters were addressed to them both.

However, Tiberius held traditional views and disapproved of women openly intervening in public affairs. When the Senate voted her the honorific title of parens patriae, or parent of the fatherland, Tiberius rejected the offer on her behalf. It soon became clear that power lay with him alone, although, despite his annoyance at her elevation, he continued to seek his mother’s advice in private.

The funeral of a leading Roman was an event that combined terror, splendor, and solemnity, and although we do not have the details of the order of service for Augustus, it will have broadly followed the regular procedure. As was always the case, the ceremony took place at night.

A procession formed to convey the body from the house on the Palatine to its last resting place. Almost the entire population of Rome turned out onto the streets, and troops lined the route to ensure public order. The procession was managed by a dominus funeris, or master of the funeral, attended by lictors dressed in black. It was headed by trumpeters playing mournful music, and girls and boys of the nobility sang a dirge in praise of the dead man.

Farce and laughter can be a means of purging grief, or at least alleviating it. A troupe of clowns and mimes was sometimes hired at funerals; the performers would follow the musicians and singers, led by an archimimus, who imitated the speech and gestures of the dead man.

Like most wealthy Romans, Augustus will have liberated some of his slaves in his will. They came next in the procession, wearing the special cap of liberty that was given to freedmen.