Читаем Nostromo полностью

Dr. Monygham listened up the staircase for a moment before he answered, with another of his short, abrupt laughs—

"Illustrious Capataz, for taking the curse of death upon my back, as you call it, nothing else but the whole treasure would do."

Nostromo vanished out of the doorway with a grunt of discontent at this jeering answer. Dr. Monygham heard him gallop away. Nostromo rode furiously in the dark. There were lights in the buildings of the O.S.N. Company near the wharf, but before he got there he met the Gould carriage. The horseman preceded it with the torch, whose light showed the white mules trotting, the portly Ignacio driving, and Basilio with the carbine on the box. From the dark body of the landau Mrs. Gould's voice cried, "They are waiting for you, Capataz!" She was returning, chilly and excited, with Decoud's pocket-book still held in her hand. He had confided it to her to send to his sister. "Perhaps my last words to her," he had said, pressing Mrs. Gould's hand.

The Capataz never checked his speed. At the head of the wharf vague figures with rifles leapt to the head of his horse; others closed upon him—cargadores of the company posted by Captain Mitchell on the watch. At a word from him they fell back with subservient murmurs, recognizing his voice. At the other end of the jetty, near a cargo crane, in a dark group with glowing cigars, his name was pronounced in a tone of relief. Most of the Europeans in Sulaco were there, rallied round Charles Gould, as if the silver of the mine had been the emblem of a common cause, the symbol of the supreme importance of material interests. They had loaded it into the lighter with their own hands. Nostromo recognized Don Carlos Gould, a thin, tall shape standing a little apart and silent, to whom another tall shape, the engineer-in-chief, said aloud, "If it must be lost, it is a million times better that it should go to the bottom of the sea."

Martin Decoud called out from the lighter, "Au revoir, messieurs, till we clasp hands again over the new-born Occidental Republic." Only a subdued murmur responded to his clear, ringing tones; and then it seemed to him that the wharf was floating away into the night; but it was Nostromo, who was already pushing against a pile with one of the heavy sweeps. Decoud did not move; the effect was that of being launched into space. After a splash or two there was not a sound but the thud of Nostromo's feet leaping about the boat. He hoisted the big sail; a breath of wind fanned Decoud's cheek. Everything had vanished but the light of the lantern Captain Mitchell had hoisted upon the post at the end of the jetty to guide Nostromo out of the harbour.

The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air.

"We are out in the gulf now," said the calm voice of Nostromo. A moment after he added, "Senor Mitchell has lowered the light."

"Yes," said Decoud; "nobody can find us now."

A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek.

It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black poncho.

The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. "On your left as you look forward, senor," said Nostromo, suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud's senses like a powerful drug. He didn't even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.

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В романе в хронологической последовательности изложена непростая история жизни, история становления характера и идейно-политического мировоззрения главного героя Станислауса Бюднера, образ которого имеет выразительное автобиографическое звучание.В первом томе, события которого разворачиваются в период с 1909 по 1943 г., автор знакомит читателя с главным героем, сыном безземельного крестьянина Станислаусом Бюднером, которого земляки за его удивительный дар наблюдательности называли чудодеем. Биография Станислауса типична для обычного немца тех лет. В поисках смысла жизни он сменяет много профессий, принимает участие в войне, но социальные и политические лозунги фашистской Германии приводят его к разочарованию в ценностях, которые ему пытается навязать государство. В 1943 г. он дезертирует из фашистской армии и скрывается в одном из греческих монастырей.Во втором томе романа жизни героя прослеживается с 1946 по 1949 г., когда Станислаус старается найти свое место в мире тех социальных, экономических и политических изменений, которые переживала Германия в первые послевоенные годы. Постепенно герой склоняется к ценностям социалистической идеологии, сближается с рабочим классом, параллельно подвергает испытанию свои силы в литературе.В третьем томе, события которого охватывают первую половину 50-х годов, Станислаус обрисован как зрелый писатель, обогащенный непростым опытом жизни и признанный у себя на родине.Приведенный здесь перевод первого тома публиковался по частям в сборниках Е. Вильмонт из серии «Былое и дуры».

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