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Get out of there now. Do not follow them. It is what they want. Go up, toward the ceiling. Elisabeta’s voice burst through Ferro’s mind, tormented. Frightened.

We are hunters, Elisabeta. We are here to kill the vampire. In contrast, he remained steady and calm as he streaked with his brethren after the master vampires down the very narrow passageway.

That way is a trap. An ambush. You will not get close to them. Please, kont o sívanak, I would not deceive you in this. I have seen the preparations. You would not escape. All of you must go back to the meeting room and go up to the ceiling. They know you are following and they lead you into a trap.

Ferro felt her heart as if it were that of the wild songbird he always called her, beating out of control. Her warning had been heard by the others merged with him. He believed in his lifemate. So far, she had never steered him wrong. He doubted if her fears for his life would have allowed her to suddenly overcome centuries of submission so that she made up her warning just to force him away from his prey.

Immediately he halted his forward momentum and signaled the others to follow his lead, waiting for Ambrus, Sedrick, Edward and the newly made vampires to pass below them. In their frenzy to run, he was certain whatever had tipped them off would most likely elude them just long enough for the five ancients to get out of the underground lair, if Elisabeta could show them a safe way out.

Do not get caught in the corridor. Once in the meeting room, be very still and do not speak. Hurry, they will close the doors and you will be trapped. There are so many poisonous guards in place at the entrances and exits and along the walls, ceilings and floors of the corridor. Her anxiety showed in the quaver in her voice, but she was very clear in her instructions.

They streaked down the corridor before the last vampire was through the opening, so that when the door slammed shut, they were on one side and the vampires on the other. Back in the circular room, they drifted toward the ceiling, careful not to touch anything. Behind the closed doors, an agonized shriek signaled one of the newly made vampires had been unwary, or not fast enough, and was caught in one of the traps made for anyone pursuing the master vampires.

On the ceiling, toward the left side from Sergey’s chair looking toward the center of the room, there is a root. It looks like a small loop, almost pushed into the dirt. Do not talk to each other if you can help it. Do not expend any energy. There are terrible, vile creatures in that room, and any energy not known to them will now unleash them.

Ferro could still feel her anxiety. She wanted them out of there fast. He knew that once the master vampires realized that whoever had been secreted in their meeting room hadn’t followed them, they would be returning. The ancients weren’t opposed to being outnumbered in a battle, but going up against seven master vampires and a few starving pawns inside a small room fraught with poisonous traps was suicide. More, Ferro didn’t believe that Sergey wouldn’t have other vampires, the ones each master vampire would have to serve and protect them, close by.

The plan was to get information and then separate Sergey from the others and kill him. The last thing they wanted to do was have the slivers of his brothers and Xavier find homes in other master vampires. It might still be doable to kill him, but first they had to get out alive from the lair that had become a trap. Ferro’s woman was going to ensure that happened. He had every faith in her.

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Dark Song
Dark Song

Two Carpathians find hope in the bond that ties their souls in this passionate novel in Christine Feehan's #1 New York Times bestselling series.Stolen from her home at a young age and tormented for centuries, Elisabeta Trigovise is scared to show herself to anyone. Even though she has been rescued and is now safe within the Carpathian compound, she has lived in fear for so long she has no idea how to survive without it. She wants to answer the siren call of her lifemate--but the very thought terrifies her.Before he found Elisabeta, Ferro Arany was an ancient warrior without emotion. Now that his senses have come alive, he knows it will take more than kind words and soft touches to convince the fractured woman that they are partners, not master and prisoner. For now, he will give her his strength until she finds hers, allowing the steady rhythm of his heart to soothe Elisabeta's fragile soul.But even as she learns to stand on her own, the vampire who kept her captive is desperate to claim her again, threatening the song Elisabeta and Ferro are writing together.Praise for Christine Feehan: 'After Bram Stoker, Anne Rice and Joss Whedon, Christine Feehan is the person most credited with popularizing the neck gripper' Time'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels' Publishers Weekly'The erotic, gripping series that's defined an entire genre! Must reading that always satisfies!' J.R. Ward'The queen of paranormal romance' USA Today

Кристин Фихан

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