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He hadn't had time to say anything at all. He'd died on his way to work, two months after a routine physical that had told him that he should lose a few pounds, that his blood pressure was a touch high, but nothing to worry about really, that his cholesterol was pretty good for somebody in his forties, and that he should come back for the same thing next year. Then, at 7:39 in the morning, his car had just run off the road into a guardrail and stopped. A policeman only a block away had come and been puzzled to see the driver still in the car, and wondered whether or not someone might be driving drunk this early in the morning, then realized that there was no pulse. An ambulance had been summoned, its crew finding the officer pounding on Rich's chest, making the assumption of a heart attack that they'd made themselves, doing everything they'd been trained to do. But there had never been a chance. Aneurysm in the brain. A weakening in the wall of a blood vessel, the doctor had explained after the postmortem. Nothing that could have been done. Why did it happen...? Maybe hereditary, probably not. No, blood pressure had nothing to do with it. Almost impossible to diagnose under the best of circumstances. Did he complain of headaches? Not even that much warning? The doctor had walked away quietly, wishing he could have said more, not so much angry as saddened by the fact that medicine didn't have all the answers, and that there never was much you could say. ( Just one of those things , was what doctors said among themselves, but you couldn't say that to the family, could you?) There hadn't been much pain, the doctor had said - not knowing if it were a lie or not - but that hardly mattered now, so he'd said confidently that, no, she could take comfort in the fact that there would not have been much pain. Then the funeral. Emil Jacobs there, already anticipating the death of his wife; she'd come from the hospital herself to attend the event with the husband she'd soon leave. All the tears that were shed...

It wasn't fair. Not fair that he'd been forced to leave without saying goodbye. A kiss that tasted of coffee on the way to the door, something about stopping at the Safeway on the way home, and she'd turned away, hadn't even seen him enter the car that last time. She'd punished herself for months merely because of that.

What would Rich say?

But Rich was dead, and two years was long enough.

The kids already had dinner going when she got home. Moira walked upstairs to change her clothes, and found herself looking at the phone that sat on the night table. Right next to the picture of Rich. She sat down on the bed, looking at it, trying to face it. It took a minute or so. Moira took the paper from her purse, and with a deep breath began punching the number into the phone. There were the normal chirps associated with an international call.

"D az y D az," a voice answered.

"Could I speak to Juan D az, please?" Moira asked the female voice.

"Who is calling, please?" the voice asked, switching over to English.

"This is Moira Wolfe."

"Ah, Se ora Wolfe! I am Consuela. Please hold for a momento ." There followed a minute of static on the line. "Se ora Wolfe, he is somewhere in the factory. I cannot locate him. Can I tell him to call you?"

"Yes. I'm at home."

" S , I will tell him - Se ora?"

"Yes?"

"Please excuse me, but there is something I must say. Since the death of his Maria - Se or Juan, he is like my son. Since he has met you, Se ora, he is happy again. I was afraid he would never - please, you must not say I tell you this, but, thank you for what you have done. It is a good thing you have done for Se or Juan. We in the office pray for both of you, that you will find happiness."

It was exactly what she needed to hear. "Consuela, Juan has said so many wonderful things about you. Please call me Moira."

"I have already said too much. I will find Se or Juan, wherever he is."

"Thank you, Consuela. Goodbye."

Consuela, whose real name was Maria - from which F lix (Juan) had gotten the name for his dead wife - was twenty-five and a graduate of a local secretarial school who wanted to make better money than that, and who, as a consequence, had smuggled drugs into America, through Miami and Atlanta, on half a dozen occasions before a close call had decided her on a career change. Now she handled odd jobs for her former employers while she operated her own small business outside Caracas. For this task, merely waiting for the phone to ring, she was being paid five thousand dollars per week. Of course, that was only one half of the job. She proceeded to perform the other half, dialing another number. There was an unusual series of chirps as, she suspected, the call was skipped over from the number she'd dialed to another she didn't know about.

"Yes?"

"Se or D az? This is Consuela."

"Yes?"

"Moira called a moment ago. She wishes for you to call her at home."

"Thank you." And the connection broke.

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В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР ГЕРМАНИИ № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные почти на 30 языков, стали национальными и международными бестселлерами. В 1999–2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Несколько пропавших девушек, мертвое тело у горных болот – и ни единого следа… Этот роман – беспощадный, коварный, загадочный – продолжение мирового бестселлера Шарлотты Линк «Обманутая».Тело 14-летней Саскии Моррис, бесследно исчезнувшей год назад на севере Англии, обнаружено на пустоши у горных болот. Вскоре после этого пропадает еще одна девушка, по имени Амели. Полиция Скарборо поднята по тревоге. Что это – дело рук одного и того же серийного преступника? Становится известно еще об одном исчезновении девушки, еще раньше, – ее так и не нашли. СМИ тут же заговорили об Убийце с пустошей, что усилило давление на полицейских.Сержант Кейт Линвилл из Скотланд-Ярда также находится в этом районе, но не по службе – пытается продать дом своих родителей. Случайно она знакомится с отчаявшейся семьей Амели – и, не в силах остаться в стороне, начинает независимое расследование. Но Кейт еще не представляет, с какой жутью ей предстоит столкнуться. Под угрозой ее рассудок – и сама жизнь…«Линк вновь позволяет нам заглянуть глубоко в человеческие бездны». – Kronen Zeitung«И снова настоящий восторг из-под пера королевы криминального жанра Шарлотты Линк». – Hannoversche Allgemeine Zeitung«Шарлотта Линк – одна из немногих мировых литературных звезд из Германии». – Berliner Zeitung«Отличный, коварный, глубокий, сложный роман». – Brigitte«Шарлотте Линк снова удалось выстроить очень сложную, но связную историю, которая едва ли может быть превзойдена по уровню напряжения». – Hamburger Morgenpost«Королева саспенса». – BUNTE«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

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Профайлер

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