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Because if there was a body and it belonged to whom he thought and if the evidence pointed to a homicide, he’d personally go after who did it like a rabid dog until he took that person down. And he wasn’t thinking Deer Lodge, Montana, where the state penitentiary was located. He was thinking Dirt Nap, Montana. Which was just about anywhere he wanted it to be.

* * *

Cody opened the beam on his Maglite as he approached on a flagstone footpath. He moved slowly, taking in not only the cabin itself but anything of note on the path, which was the only walkway to the place from a gravel parking area. Looking for anything out of place; a wrapper, a cigarette butt, a spent cartridge. He saw nothing unusual.

The cabin was originally built in the 1920s on the edge of a meadow that sloped down to Trout Creek. The twenty acres of wooded land that went with it was surrounded on three sides by the Helena National Forest. An agreement had been granted years before to the Forest Service for a public easement for access to the trails in the Big Belts. That’s how the hikers stumbled on the scene.

The cabin was built of logs and had a deck overlooking the meadow in back and a covered porch in front. Tall spruce trees bordered it on three sides. Although it had fallen into disrepair in the 1970s, the structure had been expensively renovated and restored. At least before half of it burned down, that is.

The cabin was, quite simply, half the size it should have been. The left side was burned to the ground except for a black woodstove and chimney that leaned dangerously toward the creek. The right side was perfectly intact. He looked at the right side first, where the bedrooms and kitchen were. Rainwater coursed down bronze-colored logs, and there were lace curtains in the windows. A plaque near the front door read LEAVE YOUR TROUBLES OUTSIDE BEFORE ENTERING. He smiled bitterly at that.

He slowly circled the outside of the cabin, flashlight down, walking a perimeter he would later flag with yellow plastic CRIME SCENE tape to keep the press and public out. The ground was soaked and muddy. There was standing water in every depression. The grass was long and hadn’t been mowed for a while. Long blades of it bent down as if depressed, heavy droplets on every point. He looked for footprints wherever the grass gave way to dirt. He saw none except for two sets of fresh hiking boot impressions. He shot photos of the footprints and checked to see if they were good shots on the display screen on the back of his camera. He knew where they came from, and glanced back toward the parking area. Dougherty had moved from interviewing the male in his Ford to the department vehicle where the female hiker had been asked to stay.

Then he carefully approached the burned-out part of the cabin, and twisted the lens of his Maglite to narrow and brighten his field of view.

The floor of the burned rooms consisted of black wet tarlike sludge; ash mixed with rainwater. It looked like wet black cement. Fallen timbers and collapsed framing stuck out from the soup. As did the woodstove, a charred black metal desk with a squared-off black box on top of it, and the metal frames of an easy chair, fold-out couch, and gun safe.

It all smelled of charcoal, smoke, rain, and damp. And something else: barbecued pork.

A tangle of wooden beams and wall joints had fallen on the metal skeleton of the couch. But protruding from the tangle was a swelled and waxy-looking arm. On the end of the arm was an outstretched human hand, the fingers splayed out as if to say Stop! the hand so bloated he could barely see the glint of a gold wedding band on the third finger. The skin of the forearm looked crispy and black, like the burn on the side of a roasted marshmallow. Cody further narrowed the beam on the flashlight to a five-inch spot to peer further inside the load of burned wood. A naked thigh, the skin burned and split to reveal neon orange fat like a pig or a goose.

Cody closed his eyes and reached up and took his cap off and let the rain hit him in the face.

* * *

Larry Olson arrived a half hour later. By then, Cody had thoroughly photographed the scene. He’d placed plastic numbered tents near the body, the stove, the desk, and the couch. He’d set up his remote flashes on mounts that lit it up like daylight. The photos he saw on his display were sharp, focused, and thorough. He tried not to think about what he was shooting or who the body had belonged to. He shut off his mind from speculation, and made sure every possible angle and object was preserved digitally. He never once walked into the burned-out rooms, but did all of his shooting from outside. As he did, he found other objects of interest: a metal briefcase swimming in the black soup, the frame of a Winchester rifle with the stock and forestock burned off, a blackened bottle shape he recognized with such intimacy and disappointment that it was as if someone had punched him in the throat.