Bolen J. S.
Gods in Everyman: A New Psychology of Men’s Lives and Loves. N. Y.: Harper Perennial, 1990.Bourdieu P
. Photography: A Middle-brow Art. Oxford: Polity Press, 1998.Burgin V.
(Ed). Thinking Photography, Basingstoke: Macmillan, 1982.Cartari V
. Le Imagini degli Dei degli Antichi. Venezia, 1556 (1-е издание).Davis M., Wallbridge D
. Boundary and Space: an Introduction to the Work of D. Winnicott. N. Y.: Bruner/Mazel, 1981.Den Boer J. A., Reinders S., Glas G.
On Looking Inward Revisiting the Role of Introspection in Neuroscientific and Psychiatric Research // Theory & Psychology. 2008. Vol. 18 (3). P. 380–403.Elkins J.
(Ed.). Visual Literacy. London: Routledge, 2007.Elkins J
. The End of the Theory of the Gaze. Unpublished. See: http://www.jameselkins.com/index.php?option=com_content&view=article&id=217:end-of-the-theory-of-the-gaze&catid=4:works-in-progress&Itemid=11.Engle W.
Mapping Motrality: the Persistence of Memory and Melancholy in Early Modern England. Amherst: University of Massachussets Press, 1995.Eshelman R.
Performatism in Art // Anthropoetics. The Journal of Generative Anthropology. 2002. Vol. 1. № 3.Friedan B.
The Feminine Mystique. N. Y.: Norton, 1963.Gannon S.
The (Im)Possibilities of Writing the Self-Writing: French Poststructural Theory and Autoethnography // Cultural Studies. Critical Methodologies. 2006. Vol. 6. № 4. P. 474–495.Green L. D
. Aristotle’s Rhetoric and Renaissance Views of the Emotions // Renaissance Rhetoric / Ed. P. Mack. L., 1994. P. 1–26.Harvey R. E
. The Inward Wits. Psychological Theory in the Middle Ages and the Renaissance. L.: The Warburg Institute, 1975.Hogan S
(Ed.). Gender Issues in Art Therapy. L.: Jessica Kingsley Publishers, 2003.Hogan S.
(Ed.). Feminist Approaches to Art Therapy. L.: Routledge, 1997.King C. S.
Talking Beyond the Rational // American Review of Public Administration. 2000. Vol. 30. № 3. P. 271–291.Klibansky R., Panofsky E., Saxl F.
Saturn and Melancholy; Studies in the History of Natural Philosophy, Religion and Art. N. Y.: Basic books, 1964.Lyons B. G.
Voices of Melancholy; Studies in Literary Treatments of Melancholy in Renaissance England. N. Y.: Barnes & Noble, 1971.Metz C
. Photography and Fetish // October. 1985. Vol. 34. P. 81–90.Moore R., Gillette D.
King, Warrior, Magician, Lover: Rediscovering Archetypes of the Mature Masculine. N. Y., San Francisco: Harper Co., 1990.Mulvey L.
Visual Pleasure and Narrative Cinema // Feminist Film Theory / Ed. S. Thornham. N. Y.: New York University Press, 1999. P. 412–28.Olin M
. Gaze // Critical Terms for Art History / Ed. Nelson R. and Shiff R. Chicago: University of Chicago Press, 1996. P. 208–18.Parsons T. E., Bales R. F.
Family, Socialization And Interaction Process. N. Y.: Free Press, 1955.Sontag S.
Plato’s Cave // Sontag S. On Photography. N. Y.: Penguin Books, 1979. P. 2–8.Steiner W.
Venus in Exile. The Rejection of Beauty in 20th-century Art. N. Y.: The Free Press, 2001.Ta g g J.
The Burden of Representation: Essays on Photographies and Histories. Amherst: University of Massachusetts Press, 1988.Weiser J.
Phototherapy: Becoming Visually Literate About Oneself // Visual Literacy: Enhancing Human Potential / Ed. A. D. Walker, R. A. Braden, L. H. Dunker. Virginia Polytechnic State University Press, 1984. P. 392–406.Weiser J.
Phototherapy Techniques: Using Clients’ Personal Snapshots and Family Photos as Counseling and Therapy Tools // Afterimage. The Journal of Media Arts and Cultural Criticism, 2001. Vol. 29. № 3. P. 10–15.